Teaching Ideas for Sol and Mi (Part 1)

When we prepare sol and mi, we're asking students to interact with this element before they realize its name. Instead of simply asking students to memorize the sound, we're asking students to use sol and mi to sing, play, improvise, and more. Then when we add the name, the name has meaning because students know the element so well.

Here are some of my favorite ways to prepare sol and mi.

 
First Grade Music: How to prepare Sol and Mi
 

1. Play the Apple Tree game

Games are one of my favorite ways to prepare a melodic element. We have a few variations of the game, Apple Tree in my room. Here is how I use it for preparing sol and mi:

  • Play the Game: First we sing and play like normal. If you’re not familiar with the game, you can get directions here.

  • Find High and Low: After I know we can play the game in our sleep, I’ll ask students to notice the high and low sounds in Apple Tree.

  • Sing with Solfege: We’ll sing the song with modified solfege hand signs I use for this grade: sol is hands on head, mi is hands on shoulders. We always practice this sitting down before we apply it to the game.

  • Change the words: Then we sing the song with “high high low, high high low” in the place of “apple tree, apple tree” while we play the game. (The rest of the song is sung on regular text.)

Teaching Tip: This game works great for rhythmic elements as well! When you play the game, insist that students keep a “steady beat in the feet” to reinforce other rhythmic concepts they’ll use later. Since the students like to run when they get near the trees so they don’t get caught, it’s important to set this expectation at the beginning.


2. Improvise a melody to a known rhyme

The minor third interval is so natural in a child’s world that this can be done easily. Choose a rhyme your students know well - maybe one from a previous grade. Bee Bee Bumblebee is a great one to use since students already play the game after Burnie Bee in my classroom. (Read more about my songs for teaching sol and mi here.)

I was nervous to try this activity at first; I thought students might not understand what I was asking them to do. However, I have found that if I say, “now try it with your singing voice” students can do this task very naturally.

Teaching Tip: Keep in mind that students might want to add a whole step above Sol (La) into their songs. This Sol Mi La tone set is so naturally occurring that students might not even realize they are adding an additional pitch. I try to correct this the very first time I hear a student add La to a Sol Mi song.


3. Write down your melody

After students have created their melody, ask them to write it down. You could do it as a class, or have students do it individually using the printable below.

You might choose to do the entire rhyme, or only the first line. I’ve included both options in this free download.

Another common rhyme to use is Engine Engine Number Nine. I've thrown that in there for you as well!

Just cut out the icons (or get a parent volunteer to cut the icons!). I also recommend laminating the staff paper to make it last more than one class! 

Both sets of printables are totally free here!


4. The case of the missing notes

My students love this activity!

The teacher writes down the melody to one of the songs students learned from this post, but leave a few notes out. Tell the students some of the notes have gone missing, and the class needs to help find them.

Again, this activity could be done as a whole class or as individuals for assessment. I recommend doing this activity together before an individual assessment.

Teaching Tip: When doing this activity as a class I find it helpful to present the problem, and then have students turn and work with someone next to them to figure out the missing notes.


Young musicians are capable of so much! They can sing, play games, improvise, and compose easily and musically.

These some of my favorite ways to prepare the first melodic interval that will lead to many more musical discoveries.

Enjoy!

 

Classical Music for Halloween

It's no secret that I've never met a Saint-Saens piece I didn't love. I've blogged about him and his works here, here, and here. Students also love his pieces because they're so easy to listen to and use some amazing imagery. He's by far one of my favorite composers for introducing classical music to children. 

But as much as I looooooove Saint-Saens, I do have a confession to make: 

I'm not too crazy about Halloween.

There. I said it.

I've never been one for scary movies. I have an aversion to being scared out of my wits by a spooky ghost story. Hauntings, witches, zombies popping out of nowhere. . . just not my thing. 

That said, I've never protested to eating my weight in Halloween candy. (I suppose the holiday isn't that bad after all.)

Many of our students enjoy all things spooky and scary but some students can be really bothered by it. With that in mind I work to find a balance between the two types of students. Perhaps that's another reason why I love Camille Saint-Saens' Danse Macabre so much. 

It's creepy for sure, as any song about Death dancing with skeletons should be. But the music is also so fun and clever it's hard not to love it.


 
Classical Music Activity for Halloween
 
 

About the Piece: 

If you aren't familiar with this piece already, Saint-Saens based it off of a poem by Henri Cazalis. Here is the translation: 

Zig-a-zig-a-zig it's the Rhythm of Death!
Death at midnight playing a dance tune,
Zig-a-zig-a-zig on his violin.
The winter wind whistles and the night is dark.
The winter wind whistles and the lime trees moan.
Weird white skeletons streak across the shadows
Running and leaping wrapped in their shrouds.
Zig-a-zig-a-zig the dance grows even wilder
You can hear the eerie clatter of the dancers' bones
But wait! Suddenly they all stop dancing.
They scatter, they vanish for the cock has crowed.

 

Saint-Saens does an amazing job of painting the imagery in this poem with his music. As you listen you can hear the howl of the wind, the dancing of the skeletons, and the rooster crowing before the skeletons leave. 


Take a Listen!


The Game:

For this game you'll need a violin bow. (If you don't have one, use a rhythm stick and just pretend!)

You'll also need to be pretty fimiliar with the piece, or at least have a good idea of what to listen for.

 
  • (0:25)To begin the game, all students stand drooped over, like sleeping skeletons.
  • The teacher (playing the part of Death) will slide through the graveyard as the song begins, holding her violin bow and looking at the sleeping skeletons. 
  • (0:50) When the melody of the song begins, the teacher will wake up the skeletons one by one by tapping them on the shoulder with her hand as she dances through the graveyard.
  • As the skeletons wake up they'll fall in line behind the teacher and copy her dance motions. 
  • (Since the piece is a little long you might consider passing off the bow to a new student to become Death and lead the dance.)
  • (6:57) When the rooster crows at the end of the piece (played by the oboe) the skeletons freeze and the teacher touches them on the shoulder again to make them fall back asleep.

This is a super simple game and very easy to play, as long as you're familiar with the piece. Your kids will love it!

Let me know how it goes!